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Christian

Tetzlaff

Violin

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Christian  Tetzlaff

Artistic Director Heimbach Festival

With performances that reveal his individual approach to the emotional and structural depth of the music, Christian Tetzlaff is recognised for his naturally expressive and insightful interpretations. Tetzlaff’s wide-ranging repertoire extends from the much-loved concertos of Tchaikovsky, Beethoven, Mozart, Sibelius, Shostakovich, Bartok and Brahms’ to lesser-known concertos by Giovanni Battista Viotti and Joseph Joachim, as well as contemporary works by György Ligeti, Jörg Widmann and Thomas Adès. In 2023 Tetzlaff was named artistic director of the SPANNUNGEN Festival in Heimbach, Germany which he continues in Lars Vogt’s memory.

Tetzlaff’s career took off when Celibidache invited him to perform with the Munich Philharmonic in Munich and Berlin, leading to his US debut with the Cleveland Orchestra under Christoph von Dohnányi. Since then, Tetzlaff has been in demand with every major international orchestra including the Berlin, Vienna and New York Philharmonics, the Boston and Chicago Symphony Orchestras, the Royal Concertgebouw, and the London Symphony Orchestra. The list of conductors with whom he collaborates is equally impressive and includes Herbert Blomstedt, Karina Canellakis, Maxim Emelyanychev, Christoph Eschenbach, Daniele Gatti, Daniel Harding, Manfred Honeck, Jakub Hrůša, Marie Jacquot, Paavo Järvi, Cristian Măcelaru, Andris Nelsons, Gianandrea Noseda, Sakari Oramo, Sir Antonio Pappano, Kirill Petrenko, Sir Simon Rattle, Esa-Pekka Salonen, Jukka-Pekka Saraste, Robin Ticciati, and Juraj Valčuha.

Tetzlaff made his first recording – Bartok’s Violin Concerto No. 2 – with the London Philharmonic Orchestra in 1992 and made his debut with the Berlin Philharmonic with the same work three years later. His most recent release on the Ondine label, the Elgar and Adès Violin Concertos with the BBC Philharmonic under John Storgårds, was awarded 2026 OPUS KLASSIK ‘Instrumentalist of the Year’. In addition to the 27 violin concertos that he has recorded, Tetzlaff has made numerous recordings of solo violin and duo, with the Tetzlaff quartet and, with the trio that he founded with pianist Lars Vogt. Awards include the Jahrespreis der Deutschen Schallplattenkritik, the Midem Classical Award and several Diapason d’or awards.

Chamber music is integral to Tetzlaff’s musical personality. In 1994 he founded the Tetzlaff Quartet with his sister, cellist Tanja Tetzlaff. The ensemble tours each season and performs in 2026/27 in Vienna, Amsterdam and London. Tetzlaff Quartet was awarded a Diapason d’or l'année in 2015 for their recording of Berg’s Lyric Suite and Mendelssohn. Christian and Tanja Tetzlaff also perform regularly as a trio with pianist Kiveli Dörken.

The 2026/2027 season sees Tetzlaff return to the Berlin Philharmonic, Finnish Radio, Lucerne Festival, London Philharmonic, London Symphony, and Montreal Symphony Orchestras. As Artist-in-Residence with the Bergen Philharmonic Orchestra, he appears twice with the Bergen Philharmonic and once with the Bergen Youth Orchestra. Further highlights of the season include national premieres of Ondřej Adámek’s violin concerto No. 2 ‘Thin Ice’ in London, Hamburg and Bergen, and horn trios with Kirill Gerstein and Stefan Dohr in Vienna and Hamburg.

Christian Tetzlaff performs on a violin made by Peter Greiner. He teaches at the Kronberg Academy, and lives in Berlin with his wife, photographer Giorgia Bertazzi, and their three children.

SEASON 2026 / 2027


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"The German violinist demonstrated in Sibelius's Violin Concerto how virtuosity and expression can merge, how a daring immersion in a work and a complete surrender to its sounds can work. In the "tumult," the violinist also carefully conveys the delicate, lyrical singing of the first movement as well as the sweet fury of the finale. An emphatic and intelligent interpretation."

Der Standard, 21.11.2025

"In addition to handling the daunting technical demands with ease, from his first entrance the violinist brought out an essential fantasy quality, […] Tetzlaff consistently conveyed the nostalgia and romantic melancholy that is at the heart of this work."

Lawrence A. Johnson, Chicago Classical Review, 01.06.2024

"It’s hard to imagine a more capable soloist in Shostakovich’s Second Violin Concerto than Christian Tetzlaff, although “capable” barely scratches the surface of his virtuosity. […] Tetzlaff caught every nuance, his tone now dark and mournful, now lyrical or rough and abrasive."

Nick Kimberly, Evening Standard, 20.01.2022

"Technically masterful, Tetzlaff is not concerned with flawless playing, but with direct expression. He always concentrates on the inner sound and moulds the tone from it - and is thus right in the middle of Tchaikovsky's inner life, in which the highest happiness and the deepest crisis are said to have always been close to each other. It is not without reason that Tetzlaff seems to play with his eyes closed, which may help him to concentrate, but also leaves the impression that he wants to disappear into or behind the work."

Stuttgarter Nachrichten, Verena Grosskreutz, 22.11.2022

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