Kontakt

Alain

Altinoglu

Conductor

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Alain  Altinoglu

Music Director Théâtre Royal de la Monnaie 
Chief Conductor hr-Sinfonieorchester Frankfurt
Directeur artistique, Festival International de Colmar

Alain Altinoglu is Directeur Musical of the Théâtre Royal de la Monnaie in Brussels, Music Director of the Frankfurt Radio Symphony, and Artistic Director of Festival International de Colmar. In these three roles, he has earned widespread acclaim for his visionary leadership, compelling performances, and innovative programming. In 2025, Altinoglu was named Conductor of the Year at the International Opera Awards.

Highlights of the 2026/27 season include returning to Wiener Staatsoper conducting a new production pairing Zemlinsky's ‘Eine florentinische Tragödie’ and Bartók's ‘Bluebeard's Castle’. With La Monnaie, Altinoglu appears at the Salzburger Festspiele giving two concertante performances of Massenet’s ‘Werther’, as well as productions in Brussels of Berg’s ‘Wozzeck’, and Mussorgsky’s ‘Boris Godunov’. With the Frankfurt Radio Symphony, he performs wide ranging repertoire across the season, and gives touring performances in Europe and Asia. Elsewhere in the season, Altinoglu returns to the BBC Proms in London, and continues guesting relationships with Wiener Philharmoniker, London Symphony Orchestra, Oslo Philharmonic, and Orchestre symphonique de Montréal

Alain Altinoglu regularly conducts such distinguished orchestras as Berliner Philharmoniker, Wiener Philharmoniker, Czech Philharmonic, Chicago Symphony Orchestra, Boston Symphony Orchestra, The Cleveland Orchestra, The Philadelphia Orchestra, Philharmonia Orchestra, Royal Concertgebouw Orchestra, Royal Stockholm Philharmonic Orchestra, Danish National Symphony Orchestra, Symphonieorchester des Bayerischen Rundfunks, Münchner Philharmoniker, Sächsische Staatskapelle Dresden, Tonhalle-Orchester Zürich, as well as all the major Parisian orchestras.

A regular guest at the world’s leading opera houses, Altinoglu appears at Metropolitan Opera New York, Royal Opera House London Covent Garden, Teatro alla Scala, Wiener Staatsoper, Opernhaus Zürich, the Teatro Colón in Buenos Aires, Deutsche Oper Berlin, Staatsoper Unter den Linden Berlin, Bayerische Staatsoper München, and all three opera houses in Paris. He has also appeared at the festivals in Bayreuth, Salzburg, Orange, and Aix-en-Provence.

Alongside his conducting, Altinoglu maintains a strong affinity with the Lied repertoire and regularly performs with his wife, mezzo-soprano Nora Gubisch. Altinoglu has released audio recordings for Deutsche Grammophon, Alpha Classics, Naïve, Pentatone, and Cascavelle. DVD productions of Honegger’s ‘Jeanne d’Arc au bûcher’ (Accord), Wagner’s ‘Der fliegende Holländer’ (DG), ‘The Golden Cockerel’, ‘Iolanta’, ‘The Nutcracker’, ‘Pelléas et Mélisande’ (BelAirClassiques) have also been released to critical acclaim. With the Frankfurt Radio Symphony, he is currently recording the complete cycle of Shostakovich's symphonies for Alpha Classics.

Born in Paris, Alain Altinoglu studied at the Conservatoire National Supérieur de Musique de Paris where he is now Professor of Conducting.


SEASON 2026 / 2027


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"The prize undoubtedly goes to Orchestre symphonique de la Monnaie, whose total stylistic adequacy is equalled only by the instrumental involvement of all the sections; one can obviously count on the energetic and theatrical direction of Alain Altinoglu to magnify the ensemble and hold, not without humour, the stage."

ResMusica, Benedict Hévry, 24.02.2021

"What a nervous brilliance and yet a naturally floating lightness of the lush orchestra! What an outstanding plasticity of metrical richness and impulses coming from the depth of the score! What a culture of sound, especially among the wind soloists!"

Kölner Stadt-Anzeiger, Markus Schwering, 26.03.2019

"In a concert of extraordinary sophistication, dynamic daring, brilliant transparency and supple phrasing from the London Symphony Orchestra and the French conductor Alain Altinoglu"

Anna Picard, The Times, 27.03.2017

"Altinoglu led the suite with energy and surgical precision, and The Cleveland Orchestra infused the piece with dazzling color. The audience response was rapturous."

Daniel Hathaway, Cleveland Classical, 17.10.2016

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